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My artistic practice consists of revealing this hidden memory and giving the wood a new voice — allowing it to embrace a new form, a new story, and a new life.

Antarctica is one of the last great territories where nature remains sovereign—a place of extraordinary beauty and resilience. Yet even in this remote environment, we can perceive the subtle traces of our shared presence on Earth. Working with driftwood collected from this landscape allows me to explore the invisible connections that unite us across oceans and continents.

The material becomes a silent witness to a world without boundaries—a symbol of our deeply interconnected planet, where every action has the power to shape the world we share.

The trust and support of the Bulgarian Antarctic Institute (BAI) open an exceptional space for artistic exploration. This partnership creates a unique framework in which art and science come together, offering a sensitive perspective on some of the major human and environmental questions of our time. Through its experience and logistical infrastructure the Institute makes this artistic expedition possible.

For several years now, my work has centered on driftwood, a material whose plastic and symbolic qualities I explore.

Like wood, human beings bear the marks of time, encounters, trials, and transformations. Shaped by salt, water, wind, and sometimes fire, wood retains the memory of its journey. It embodies both the fragility and the resilience of life. It reminds us of our own journey, marked by encounters, wounds, adaptations, and rebirths that shape every existence.

Next steps :

Project présentation on Bulgarian Antarctic meeting, Aheloy – Black sea, Bulgaria : 16-18 October 2026

Antarctic Expedition : Décember 2026- February 2027

Europe’s exhibitions : Starting October 2027

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credit photos : Kzenon, Marina Velikova.